2018 repress! common labour is back with another slamming compilation release. the four tracked 12” includes top notch offerings from an all-finnish producer guard. limited and vinyl only as per usual. a1 mirage man, born roope karhunen, has fingers in many pies. producing, performing and steering two record labels, this man does it all. fusion of noisy and raw rhythm section, sub bass and dub stabs in this track make a mean combo. a2 common labour head honcho potholes is back again with a funky tool. tabarnac is a mixture of live drumming and 303 licks in a skilfully produced manner. dreamy yet refreshing. b1 roberto spins silk with his old school rendition of the future - a fusion of deep house, latin, old school electro. surprisingly functional and unique combination which will challenge the audience to bust a few breakdance moves on the dance floor. b2 another ace from tuomas salmela’s sleeve. the trippy and balearic composition of -feroxified- takes the listener on a soothing journey that guarantees euphoric sensations. sterling track for most occasions.

the 4th instalment from australia s analogue attic recordings comes from label bosses sean la brooy and alex albrecht. utilising field recordings from a popular melbourne location, edgewater towers effortlessly transitions between ambient and dance orientated pieces.

releasing an album is a daunting task, especially in dance music. you got to keep it fresh and exciting from the very beginning until the last track, not sticking to one tempo, make tracks that work both at home and in the club and ultimately tell a story with your music. alexander lay-far knows a thing or two about this, having his debut album so many ways out back in 2013. the thing with lay-far and a big reason why we ve always had a soft spot for him is his way of incorporating a certain magic in the tracks that leaves you on an uplifting and optimistic note. therefore we re really excited to release his second album, how i communicate, on local talk. how i communicate is a two part vinyl release which we hope will come as a fresh breeze in these days where so much dance music simply lacks the actual musical aspect or the organic approach. like most producers and djs that are influenced by soul, disco, jazz and the blacker side of electronic dance music its all about the actual tune . listening (or dancing) through this album we hope you ll find your special tune (or tunes!) that hopefully will bring joy to your ears. to his aid lay-far has invited an impressive cast of collaborators such as ashley beedle & darren morris, restless soul, sean mccabe & mark de clive-lowe to give the tracks that little extra something under the watchful eye of lay-far himself. or as lay-far describes it himself the album is about the music as the universal language, the ultimate means of communication, bringing people of the world together. part 2 will be released in the new year...

time to welcome chrissy, a chicagoan dj, producer, edit-maker, blogger, sometime dance music historian and documenter and general hard-working mother f..ker (according to stool pigeon). the smart bar resident has had a string of top drawer releases on house labels such as classic, tugboat edits, razor n tape and hypercolour, not to mention his own brilliant nite owl diner label which he runs with alex burkat. chuck in releases for planet mu and running the juke/footwork label loose squares and you start to get the picture. this guy is a genre-bender extraordinaire and clearly a tireless and highly creative individual so were very proud to have him join us hear for his freerange debut

back in soviet times when the official local music market was controlled by the biggest record monopoly in history melodiya, many local musicians who wanted to express themselves in actual form, released tapes themselves and spread it through a big underground market network called magnitizdat (short of magnetic tape release). it began in the 60s with soviet rock movement and illegal copies of foreign music which got through border with tourists, seamen and diplomats. in the late 80s you could find there many different shades of music from underground protest rock, post punk, avant-garde to a lot of electronic pop, local kind of italo disco and dj s mixtapes with a personal rap on top of it. plus seven records begins a sublable series of remastered edits which narrate about dance part of this story.

technos brothers on the run, octave one, take time off from global touring to deliver what promises to be one of the biggest dance anthems of 2016.

loco dices desolat kicks off 2016 with a brilliant new ep from romanian trio premiesku aka long term friends livio, roby and george g. they have close associations with the label and have done for years, and after their great debut album indirect in 2012, are now a very real force in the dance world.

reissue des debütalbums (1981) der legendären psychedelic-dub-formation african head charge um den jamaikanischen produzenten & percussionisten bonjo iyaginhi noah, dessen damals undefinierbarer sound maßgeblichen einfluss auf experimentelle bass-labels wie hyperdub oder tectonic hatte. mit dem clubfavoriten *stebenis theme* und dem track *far away chant* aus david lynchs *wild at heart* soundtrack. re-cut by dubplates & mastering, berlin, for maximum bass pressure! lp auf schwarzem vinyl mit downloadcard und bedruckten innentaschen mit sleevenotes von steve barker (on the wire).

hey everyone – so we re back again finally with number 5. it s taken us ages but expect a slew of 12- releases from us this year. the big news for stores is that we ve gone vinyl only. our reason is simple - we love digging and label honcho the mole only dj s vinyl so why not follow our passion! maybe tomorrow is starting the year off with a doozy from one of the most knowledged disco guru s on earth – koosh. this amazing dude has been keeping canada s west coast edits scene strong and free for many moons. the heads should know him thanks to his releases on cult labels such as common edits, red motorbike and his own 7 inches of love. what you get here are 2 prime cuts that we guarantee to bring the sunshine to any dance floor and a bonus fx ripper to melt minds.

dripping out of the pores of tokyo high-rises, aquarium deepspace serves up his debut vinyl release and the second instalment on natural sciences. drawing on a palette of 90 s detroit house music and the electronic tropes of his home town of japan, midnight at the tokyo central is the unspoken soundtrack for the lost souls of the metropolis, recounting the ecstasy of smoke-filled dance-floors, the touch of dry ice melting through a fur coat, and travelling through neon at 6am. narrated by two separate protagonists under one identity, deepspace side explores muscular acid trax, aquatic pads and throbbing deep house jams for the floor, while aquarium on the flip is coated in hazy electronics and dopamine drained murk, drawing on field recordings taken at tokyo s central train station (rainy night in shibuya) through to lush subterranean jams laced in serotonin nostalgia.

dirty macs highly anticipated return gets right to the gritty rub with four cuts of slow-burning and erstwhile white hot, dance floor choice.

brendon moeller returns to third ear after some years, following up his lauded jazz junk safari trilogy of eps with 4 peak time bombs. all 4 tracks blow up the dance floor. brendon moeller known for his sound design, has taken his sonics to extremes on all four tracks, pushing, twisting and teasing frequencies to the limit. the bass on all tracks is phenomenal. it s just as well that a master engineer like pole has mastered these tracks, maxing out the sound yet protecting the sound systems that these bombs will be played on. super fun.

after a first lp supported by various artist as rone, rodriguez jr, ark, electric rescue, morpheus or laurent garnier, timid records is proud to announce arno gonzalezs second album: *the delivery boy*. more personal (no featuring this time) and more direct into producing process, arno tells us pieces of his own story: a come back from a gig in brest (back from vauban), a crazy sunday afternoon (domingo dance), a trip to japan (kimura), a train ride to charles de gaule airport (angers/cdg). he also recalls with a dose of sorrow the cycles effects of buzz and modes into music (less was more) , the old time techno (the break), noisy and synthetic funk (the message) or the crazy run of a delivery boy (the delivery boy) which will be soon clipped by the motion designer smoh. the most surprising thing after a first listening is the work on textures and vibes which give consistency to the all album sailing between electronica, inspired techno and house grooves. finally, camille rodriguez and damien *timid boy* almira give us 2 stylish and efficient remixes which will find, for sure, the path to best djs turntables. enjoy your meal!

awaking from the dreamstate of gryningen s hazy library inspired 10inch, we find aficionados expert selectors well rested and in the mood for a dance. utilising their extensive network of global connections, moonboots and boardman enlist hungarian producer san laurentino to raise spirits and pulses with a deep and diverse collection of body movers.

2016 repress, this is the ep long waited by all disco lovers. on the main side *makin love* with the lovely long intro with congas and spacey fx that warms you up for the explosion of the hot sexy vocal line. on the b side a fantastic re-work of a rare disco/folk track modernized with loops, fx and lasers that give you the right kick on the dance floor.

in 1985 severed heads were asked to release a retrospective, so they dragged out bits lying around. the compilation was titled “clifford darling please don’t live in the past”, spread out into a montage over four sides of vinyl. this compilation includes live recordings, raw demos, unreleased studio recordings and solo pieces from each member of the band during from the first five years. the results are a striking hybrid of the avant-garde industrial and pop.

we know this is a very special one! our seventh record is a track that has been burning up the people must jam dance floors for years in its previous form - al kent has created a disco dance floor beauty! an unreleased monster that first came to pmj s attention through the now legendary dj history website. this track has been retouched and re-mastered for its vinyl release nearly eight years after its inception, we are really proud that this is seeing the light of day and will finally be available for people to get their hands on. mastered at the carvery for added bump and shine. the record is a strictly limited 10inch heavyweight pressing

the detroit wizard gari romalis is on fire again, this time with a bit more techno approach then we got normally got used to. -comeback- is a powerful and hypnotic techno/house hybrid which is sure to fill up the dance floor s around the world. word is bond ladies and gentlemen!

gold is a carefully compiled 12inch vinyl sampler featuring some of the best club music tracks ever. feat. fidel astro aka glenn castro, hodini, georgi barrel, peter clamat, blunted monks, roman rauch and torpedo fred.

resopal retrieves two more smoldering remix cuts on transparent vinyl. safe to say that both of them - the a side by heidelberg s casio casino (aka steffen neuert of bergheim 34 ) together with lopazz - and the stunning b-side by our marseille connection roar - are absolute stompers. what we have here are two finely crafted remix versions of the original that seduce the dance floor in totally different ways. both contain perfectly structured arrangements that creep up on you with the stealth of a ninja, making them a real pleasure to mix with. the heidelberg guys show a minimal disco hybrid version of the original. from the moment the bassline emerges from a dense thicket of white noise the pair make their intentions clear. with expertly-crafted sequences punctuated by dramatic crescendos and distinctive mood changes their re-work is a melting pot of styles and influences that somehow manage to coexist, creating a rich montage of sounds and textures. on the b - french duo roar deliver hallucinogenic, long, patient grooves followed by some fantastically understated sonic tweaking which gives the track a real kick without ever losing that empty, laid back vibe.

the vfmm is back with a cracking new 12- by one of the label s dearest producers. the underground wolfpack proudly presents again one of its leading wolves, kai von glasow and his newest output: a mesmerizing and bedazzling 4-tracker piece of vinyl replete with neatly arranged techno soundscapes that bring about a feeling of satisfying gloom. and yet, whilst listening to these soundscapes, the compelling and driving force of the entire musical arrangement of each track sets free an unremitting urge to dance the night away. this piece of vinyl is designed to take full control of the dance-floor by pouring out its stomping and fierce percussions. be it as it may - you ought to listen yourself! this record comes as a white 12- and is fitted with hand-numbered out-of-250 labels as well as a beautifully printed cover-sleeve. you had better buy one copy as this 12- will be sold out sharpish. the vfmm recommends the underground movement

ramona is proud to present fort romeaus second installment for her live at robert johnson audio enterprise. his take on neo-dance, post-disco and proto-house is as unmistakable as it is dreamlike. ramona is still in love. stay gold, ramona

we are very happy to announce the new artist chaos in the cbd on mule musiq. we loved their release on rhythm section. while listening their record, we got demo from them and signed immediately! hope you enjoy their warm deep house tunes!

ltd 2016 repress !! >its a crime< is taken from virgo fours recently released >resurrection< album, which is now available as a single with remixes from none other than caribou and hunee. caribou reworks >its a crime< into an eight minute epic dance floor bomb. his mix starts out with an intimate vocal groove, reminiscent of his >swim album, but before long it explodes into an monstrous acid driven work out in daphni style. bam! hunee goes for a more classic approach. a deep, swinging groove which takes us back to the peak days of chez >n< damier. pure gold! and then there is the original mix. a chicago classic that never was, resurrected from the vaults of virgo four. winning

180 gram vinyl only release, including full cd.

as he keeps busy on d edge s new sub label olga with a brand new artist album, boss man renato ratier also manages to serve up a hot new ep on the main label with dynamic regard stimming. the pair cook up two fine tracks that showcase both of their styles in all their glory. philosophy goes first and is a playful, loose limbed dance floor groover with parping blasts of sub bass, richly soulful pads and slow burning sense of crescendo that will really lift dancers up and carry them away. it is perfectly detailed and expertly produced to really jump out of the speakers and is sure to be a massive hit this summer in brazil and beyond. conscious then flips the script and slows to a perfectly seductive crawl. lazy drums, slow blasts of white noise and a poignant bassline all get backed by glowing pads and the overall effect is soothing, seductive and sensual. this is a fine ep from two very talented producers and cements a long standing relationship in style.

the very first vinyl release from one of australia s leading underground lights, motorik. after throwing acclaimed warehouse parties across the nation, and a burgeoning selection of digital eps from local crew the finger prince, csmnt61, wordlife, jensen interceptor and made in paris, their debut vinyl release is a double a-side featuring the finger prince (made up of dreems and ex-infusion/freeland francis xavier) with their epic -don t talk to me-, a late-night exploration of trans-dimensional dance, plus a skittering, percussive remix from none other than vakula. on the flip is melbourne s mike callander (of haul music infamy) with physics, built around a wonky bassline for more dancefloor exploration. comeme mainstay christian s gets wild on the remix. a gorgeous package with art by babekuhl, delivered 2u on 180g vinyl for maximum bass. this is exclusive to vinyl and will not be released digitally for at least 12 months.

cologne based artist adryiano has finally threaded into label managing waters. ever since the emerge of his multi functional platform cestraw back in 2011 adryiano has been twisting and thinking on when to launch the label side of things. after the humble success of his latest *down south* effort on soul notes it felt like the right time.
cr/001 turned out to be an emotive dance floor record that touches several different modes within the spectrum of underground dance music. from the straight forward 303-anthem *break module* to the uplifting yet deep, chicago-ish tones of *path of yours* - adryianos *default ep* is set to unfold just in time for the cold, dark days before christmas.

following his tones ep and his contribution to first vinyl only va release last year mano andrei returns to the label with another stunning 4 track solo ep consisting of 4 stripped back solid dance floor grooves.

*god is a dj* - need we say more? on sunday 8pm, maxi jazzs reverent flow managed to produce -god is a dj-, not just a dance anthem, but a hymn of majestic proportions. sunday 8pm is a prime example of dance music at the peak of its popularity, but dont let nostalgia fool you, this album still stands today even in one of the most changing and evolving music genres we know.
pressing on 180 gram audiophile double vinyl.

cuplet is the newest joint-venture with ourowns family aimed to deliver their clear and defined music poems on wax. the adventure starts with the talented and appreciated artist, vlad radu. mesmerizing your collection with 2 colorful grooved tracks you will get the musical message delivered in rhythmic slices and harmonic arguments for your personal mediation at home or the musical journey at the club. to complete the first cuplet story, dan andrei adds his signature with a subtly remix which will control mainly the mid-low-dance-floor senses. served as 180 gr winter edition.

asusu made his debut in 2009 for the inaugural release on project squared, combining his passion for garage with a newly discovered love of techno. since then, his sound has explored new recesses of uk dance music, re-appropriating house and techno within uk sound system culture, all the while retaining his early ties with the dubstep/techno axis. his latest venture has been the creation of a new label called impasse. he also works with peverelist and kowton as part of the livity sound label and live show, where his blend of influences contribute to the trios shared ethos of creating uncompromising, raw music to dance to.

masked project of chari chari (kaoru inoues alternative moniker which debuted in 1999). 7 inch vinyl including two tracks of 80s new wave inspired, 23 skidoo and dif juz homage like vibes. meet the new crossovered post-punk and post dance music sound. no repress.

figure 73 introduces a new face to the family - manchester-bread and now berlin-based setaoc mass. after recently launching his own imprint sk_eleven and putting out several releases that already tread in figures lineage of modern, high-precision techno, the label is thrilled to get this promising new artist on board. the five-tracker shows setaoc mass at his most versatile yet and clearly displays the producers talent for constructing both strong atmosphere as well as sheer dance-floor effectiveness.

close to the days of the days, when the maya calendar will come to an end and somthing special is waiting for human beeing, two smart fellas from berlin are contrebuting this happening with the so called popocatepetl ep. popocatepetl is a yet sleeping massive vulcano in mexico, who just recently rumbled to life. it looks like this ep will come up with the same energy and power. four tracks with many statements and diversity and still homogeneous in their substance. to find an own style and esspecialy an own sound is what the two try to push to the fore. if we compare this release to their last successful released track on tonkind schmalwild, we hear this major line, where a transperent empathy is to find. kotelett & zadak, showing on this ep their ability to creat dance music with a certain flow and groove which makes you feel aloof and hot but still laid-back and relaxed. it just shows their own temper and shows us why, this two guys are one of the most beloved djs in berlins underground scene. its their personal spirit what comes up in the music, that makes this release sound so authentic. hopefully people will notice, yet even without any dramatic fireworks, popo has the power to wreak havoc.

gerry rooney (black cock) and joel martin (quiet village) return with two strong cuts on new label love shot records! opener -el dorado- is a curious affair, taking loops from a long-forgotten, disco-era spanish dance record and turning it into a rolling, late night chugger. arguably even better is -limitless & free-, which cuts up and rearranges a suitably obscure chunk of stoner funk-rock. wisely, they emphasize the low-slung groove, rising strings and swirling synthesizers, occasionally utilizing select sections of the original s sleazy, come-to-bed vocal.

** vinyl only **
vendi has prepared for you the first uzvar. three tracks. they are like life moments - whether they make you happy or sad, they always bear the magic, one of its kind, and give new inspiring emotions! you ll also find the remix from ya.svet. this track, as a sip of cooling uzvar under the sun s burning light, quenches your thirst and makes you dance.

velvet records proudly presents « v003 », a four-tracks long overview and celebration of the contemporary electronic music scene. together, the artists featured on the french label s first compilation present an audacious look at the depth and span of the scene while also moving the form forward into bold new shapes. touching on expansive deep techno and minimal house, this compilation is made up off exclusively produced and previously unreleased music from ekomine, yaroslav lenzyak, leopol and damien k. sahri, capturing the essence of the current chapter of these genres, hinting at the shape of those to come. french producer ekomine is the first to hit the road with « ramble », a solid sweet-sour blend of atmospheric sounds leading the listener to find himself gently trapped into an unpredictable deep-space diving journey. this is where ukrainian artist yaroslav lenzyak and acolyte rata come in with « cellar door ». no constellations here, but the substantive claustrophobic tale of a spectral entity slowly catching your doppelgänger in the twilight hours. an angel flies and we re suddenly entering the sensitive world of « joy misery » from parisian early analog machines enthusiast leopol, who invites wandering souls to a dance-oriented and delicate voodoo ritual before passing the torch to berlin-based producer damien k. sahri s « travel marvel » which confers the record a multi-ethnic dimension, kindly whiplashing bodies with a mixture of unavoidable pulsations.

limited reissue on green marbled vinyl.
low end theory resident & veteran los angeles dj nobody creates the crucially timed full-length vivid green via alpha pup records. embracing the flux within la underground musical movements of the last fifteen years, elvin estela has been on the studio grind while touring internationally refining chops in bass heavy beats, electronic bangers and psychedelic rock.

new label radiant records has enlisted roadside edits to deliver a couple of dance floor bombs. we get the ball rolling with a stomping harmonica driven delight, seems the boys like a bit of harmonica, and who could blame them, this one just keeps chugging on, building and building, with the occasional atmospheric breakdown, impossible to sit down to this one fact. on the flip we have a much more polished affair with crazy moog synth lines and trumpet solos galore, another crowd pleaser for sure

new vinyl from messalina, featuring edits from andy kidd, situation and lucci capri.

• 180 gram audiophile vinyl
• insert • world clique is the debut album by the dance-music band deee-lite, released in 1990. the albums first single, * groove is in the heart*, was a top-five success on both the u.s. billboard hot 100 and uk singles chart as well as a number-one hit on the u.s. hot dance club play chart.
• three subsequent singles also hit the top ten on the u.s. dance chart, including * power of love/build that bridge* and * good beat*, which also hit number one.

limited 200 copies - 1st copies on colored yellow vinyl! highly demanded release with a legendary rework from allan goldberg and the italo master tony carrasco.
official remastered reissue of the 1982 original recording licensed from expanded music srl italy of the legendary italian group founded in 1977 with a punk rock / new wave attitude that in the early 80s turned into a more electronic / dance mood and delivered some of the greatest tracks of the golden 80s age!

testsets sonic fingerprint foregrounds intertwined micro-rhythmic clutter, honed, chiselled, stirred and distilled until they reveal a uniquely independent, tessellating brew – both of its time, and outside currently prescribed dance music practice – drawing magpie-like pop-cultural tropes from all and sundry. the testset sound is euphoric sonic pattern-making at its most exquisite – multi-layered, playful and immersive.

we are very proud to welcome back on board our good friends pablo bolivar and luke hess from detroit. pablo bolivar & javier orduna here comes with tales from the ground, passion for music, analog machines, carefully crafted, beauty, elegance, deepness, dub by elements and perfect for the dance floor are what we have. creating out of loving for the people who will hear the music. after acclaimed releases on fxhe,beretta grey, echocord colour,kontra-musik. lukes sound is here again with pong musiq.

truncated soul samples are carried by no-nonsense rhythms before a switch up snaps in to catch the dance floor off guard. added shuffles and trumpet snips build a buoyant and jazzy vibe that brings another coup for third ear and another truly fine addition to wbeeza s catalogue to a close.

french producer juliano delivers the next ep, entitled * this must be...*, on his own imprint * that place records*. fourth in line on the label, following on from releases from visitors for reworks, mzkbx (aka sacha mambo) and love comedy, the now berlin-based artist gifts his very first ep to the collection. as a dj, juliano has spent the last 13 years honing his craft - first cutting his teeth holding down a residency at l ambassade, and then going on to play all over france and throughout europe. over a decade of digging and spinning has led juliano to develop a refined palette and a knack for finding tunes that make the dance floor bounce. strongly influenced by us house, * panaugust* is a real dance floor killer with its never ending synth. the more emotional * anthem for a friend* is a real tribute, drawing inspiration from chicago and detroit such as the real mess with its special rhythm & blues vibe. finally, cupid mess brings a touch of japanese mood, evoking images of an early-morning rising sun thanks to the classic juno6 sound. julianos ethos is that music should stay fun - preferring to keep things simple, but always real. watch out for this one.

we are extremely excited about this new release, wich sets the return of lars bartkuhn to dance oriented projects. the needs label founder and author of some many classics like * world*, * walking through circles* under his passion dance orchestra or masterpieces like ‘midnight ceremony’ with his brother marek as bobjazz, joins neroli with a lush and joyful ep aptly titled * music for the golden age*. lars here offers the musical and deeply evocative journey golden age in two versions that have great long building qualities and the subtle groovy ‘daybreak contemplation’. lars is equally experienced in the production/programming field as in being a bandleader and composer. the exquisite trademark balance between the organic and more driving electronic elements is evident throughout the whole ep and delivers a breathtaking and delicate musical insight into lars artistically unique language. a perfect addition to nerolis catalogue.

can t joke with dexy is the opener here and is a bumpy, edgy house cut with tense and nervy keys jangling above a roughshod drum line. it grows ever more dark and comic and things roll on before faith is a more breezy, airy house groove. the drums here dance a nimble dance, thin synths and emotive chords all come in rich layers and a lo-fi percussive line proves how frey can conjure up idiosyncratic sounds with ease. like its title suggest, ghosts is a hauntingly atmospheric track with icy hi hats, pixel thing and hugely melancholic chords and harmonic bells all adding a sense of calm and serenity to turbulent drums deep down below. lastly, scale is a sub 100bpm crawler with fat elastic synths strung up between lazy kicks. two filtered spoken word lines add plenty of weirdness to this soupy bit of cosmic seduction and round out an ep that is stuffed with fresh ideas and great sonic invention.